Samples : The Book
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Would you like to see the quality of our papers and substrates for yourself before placing your print order?
PICTO Online offers “The Book” : a range of samples grouped by process and service category, containing all the necessary technical information.
“Le Book” allows you to assess how a print will look depending on the substrate, as well as the chosen process.
It is available in five versions.
The Book Our C-Prints papers is delivered in its white rigid box.
The Book Our Fine Art Papers is delivered in its white rigid box.
The Book Our rigid media is delivered in its rigid white box.
The Book Our flexible media is delivered in its rigid white box.
The Book Our Black and White papers is delivered in its white rigid box.
PICTO Online offers “The Book” : a range of samples grouped by process and service category, containing all the necessary technical information.
“Le Book” allows you to assess how a print will look depending on the substrate, as well as the chosen process.
It is available in five versions.
Our C-Print papers
Our C-Print papers
The Book Our C-Prints papers is composed of:
FUJI FRONTIER
- Glossy RC Color (on Frontier)
- Satine RC Color (on Frontier)
- RC Color - Glossy (on Lambda)
- RC Color - Satin (on Lambda)
- RC Color - Matt (on Lambda)
- High Reflection - Fujiflex (on Lambda)
The Book Our C-Prints papers is delivered in its white rigid box.
Our Fine Art papers
The Book - Our Fine Art, Pigment inkjet Papers
The Book Our Fine Art papers and pigment inkjets are composed of:
EPSON P20000
- Canson Infinity RC satin 310g (on Epson)
- Canson Infinity RC glossy 270g (on Epson)
- Hemp Natural Line Hahnemühle 290g (on Epson)
- Bamboo Natural Line Hahnemühle 290g (on Epson)
- Agave Natural Line Hahnemühle 290g (on Epson)
- Photo Rag 308 Hahnemühle 308g (on Epson)
- Photo Rag Metallic Hahnemühle 340g (on Epson)
- Ultra Smooth Hahnemühle 305g (on Epson)
- Bright White Hahnemühle 310g (on Epson)
- Rag Photographic Infinity Canson 310g (on Epson)
- Aquarelle Arches 310g (on Epson)
- Museum Etching Hahnemühle 350g (on Epson)
- BFK Rives White Arches 310g (on Epson)
- William Turner Hahnemühle 310g (on Epson)
- Bamboo Gloss Baryta Natural Line Hahnemühle 305g (on Epson)
- Photo Rag Baryta Hahnemühle 315g (on Epson)
- Platine Fibre Infinity Canson 310g (on Epson)
- Baryta Prestige II Infinity Canson 340g (on Epson)
- Baryta Matt Infinity Canson 310g (on Epson)
- Unryu 55g (on Epson)
- Murakumo natural 42g (on Epson)
- Murakumo white 42g (on Epson)
- Kozo white 110g (on Epson)
- Inbe white 125g (on Epson)
- Canvas Artist Hahnemühle 340g (on Epson)
The Book Our Fine Art Papers is delivered in its white rigid box.
Our Rigid media
The Book - Our Rigid media
The Book Our rigid media is composed of:
SWISSQ KUDU
- White Dibond 2 mm
- Dibond Alu Brushed 3 mm
- PVC 2 mm
- 10mm Foamcore
- Acrylic type "Diasec" 3 mm
- Acrylic double inking 3 mm
- Acrylic Day & Night 3 mm
- Acrylic Diffuser Day & Night 3 mm
The Book Our rigid media is delivered in its rigid white box.
Our flexible media
The Book - Our flexible media
The Book Our flexible media is composed of:
EPSON RESINE - LATEX
- Wallpaper 175 gr
- Wallpaper 180g
- Blue Back Paper 125g
- Vinyl Adhesive
- Satin Paper 275g
- Backlit Translucent
- Polyester Transparent
- White Magnetic 600 microns
- Anticurl M1 Banner 420g
- Frontlit M1 Banner 450g
- Opaque Banner M2 510g
- Diffuser Banner M2 460g
- Polyester canvas 385g
The Book Our flexible media is delivered in its rigid white box.
Our Black & White Papers
Our Black & White Papers
The Book Our Black and White Papers is composed of:
Durst Lambda Noir et Blanc
- Glossy Black & White RC (on Black and White Lambda)
- Satin Black & White RC (on Lambda Black and White)
- Black & White Baryta (on Lambda Black and White)
- Canson Infinity RC satin 310g (on Epson Black and White)
- Canson Infinity RC glossy 270g (on Epson Black and White)
- Hemp Natural Line Hahnemühle 290g (on Epson Black and White)
- Bamboo Natural Line Hahnemühle 290g (on Epson Black and White)
- Agave Natural Line Hahnemühle 290g (on Epson Black and White)
- Photo Rag 308 Hahnemühle 308g (on Epson Black and White)
- Photo Rag Metallic Hahnemühle 340g (on Epson Black and White)
- Ultra Smooth Hahnemühle 305g (on Epson Black and White)
- Bright White Hahnemühle 310g (on Epson Black and White)
- Rag Photographic Infinity Canson 310g (on Epson Black and White)
- Aquarelle Arches 310g (on Epson Black and White)
- Museum Etching Hahnemühle 350g (on Epson Black and White)
- BFK Rives White Arches 310g (on Epson Black and White)
- William Turner Hahnemühle 310g (on Epson Black and White)
- Photo Rag Baryta Hahnemühle 315g (on Epson Black and White)
- Platine Fibre Infinity Canson 310g (on Epson Black and White)
- Baryta Prestige II Infinity Canson 340g (on Epson Black and White)
- Baryta Matt Infinity Canson 310g (on Epson Black and White)
- Bamboo Gloss Baryta Natural Line Hahnemühle 305g (on Epson Black and White)
- Unryu 55g (on Epson Black and White)
- Murakumo natural 42g (on Epson Black and White)
- Murakumo white 42g (on Epson Black and White)
- Kozo white 110g (on Epson Black and White)
- Inbe white 125g (on Epson Black and White)
- Canvas Artist Hahnemühle 340g (on Epson Black and White)
- Epson 9900 and Piezography Pro Cone carbon pigment inks (Neutral tone unless otherwise specified)
- Bamboo Natural Line Hahnemühle 290g (on Piezography Pro Carbon)
- Hemp Natural Line Hahnemühle 290g (on Piezography Pro Carbon)
- Agave Natural Line Hahnemühle 290g (on Piezography Pro Carbon)
- Photo Rag 308 Hahnemühle 308g (on Piezography Pro Carbon)
- Bright White Hahnemühle 310g (on Piezography Pro Carbon)
- Rag Photographic Infinity Canson 310g (on Piezography Pro Carbon)
- Museum Etching Hahnemühle 350g (on Piezography Pro Carbon)
- William Turner Hahnemühle 310g (on Piezography Pro Carbon)
- Photo Rag Baryta Hahnemühle 315g (on Piezography Pro Carbon)
- Bamboo Gloss Baryta Natural Line Hahnemühle 305g (on Piezography Pro Carbon)
- Platine Fibre Infinity Canson 310g (on Piezography Pro Carbon)
- Baryta Matt Infinity Canson 310g (on Piezography Pro Carbon)
- Kozo white 110g (on Piezography Pro Carbon)
- Black & White Negative Film (with inversion) for contact photo printing
- Black & White Film (without inversion) for alternative processes
The Book Our Black and White papers is delivered in its white rigid box.
Our paper samples
For each sample, measuring 13x22 cm, a high-definition image allows you to see how the paper will look in print.
You will also find all the essential technical information: paper colour gamut, print resolution, format, maximum web width, permanence and Dmax.
The catalogue is available in five versions:
- "Our silver-based papers", for colour RC papers used in small-format silver-based printing on Frontier and free-format silver-based printing on Lambda. You will also find samples of special High-Reflection, Metallic, Translucent and Transparent papers.
- “Our Fine Art Papers”, for media used with pigment inkjet printers for fine art photography. From the classic Ilford RC Satin to Hahnemühle Bamboo, via Japanese papers with their inimitable handcrafted look and baryta-type papers evoking the quality and elegance of silver-based photography, this catalogue brings together a wide range of media for the most discerning photographers.
- Our “B&W” papers, for genuine black-and-white prints, whether produced using pigment inkjet, Lambda printing or Piezo Carbon printing, for a rendering rich in nuances. Essential for achieving the best expression and the result closest to your original vision!
- Our ‘rigid media’, for prints on rigid substrates such as Dibond, lightweight cardboard, Plexiglas and PVC. The best way to appreciate how your print looks on a rigid surface.
- Our “flexible substrates”, for printing on flexible materials such as satin paper, tarpaulins, wallpaper, vinyl and polyester canvas. To anticipate how the flexible material will interact with your visuals and prepare your project.
The PICTO Online “Le Book” is a superb tool for choosing your papers, but also for checking how your design looks on screen.
Once you have a “Le Book” paper sample, you can download the corresponding image to view it on your screen. This allows
you to assess and adjust your screen display in relation to the covers and prints featured in the PICTO Online “Le Book”.
Further information can be found on our dedicated help pages: Adjusting or calibrating your screen, Viewing your images and prints.